Pulse

Cast shade upon me to give me greater depth than the tissue paper I feel I’ve become

Talk about the times when I hacked and slashed my way into the jungles of discourse

Remind me of how there is fun to be had in the mixing of mindsets and the study of emotional alchemy

I can feel myself waning so grab my hand and, if you must, teach me the sound of one hand clapping

Tether me with fishing line and barbed hooks to the things I hold closest to my heart

So, even when the vacuum comes, I’ll whip and dance like a kite in a storm but remain earthbound

When I’m pulled inward by the dance of the mind’s cinematography you must sing me the melody of dialogue

Place my hand to chest so I can feel the now of your tempo and strengthen the action over intention

Despite all of perception being funneled through the lens of mind we must move corporeally

Despite the mind triggering muscular contractions, it is more important to take journey’s first step than to just plan it

The neurotransmitter’s dance achieves potentialities that only have value in causality

The mindspark will bring about no fire without fuel or oxygen

So feed me in experiences and breathe warmth into these hollow bones

These self inflicted wounds will only heal if I think you want them to, like plants that grow healthier through conversation

Photosynthesis is the plant kingdom equivalent of synaptic transmission

But even we need the sunlight to keep our hallowed bones from crumbling

So walk me in your sunlit pastures and dig your nails into my flashy palms whenever you sense me drifting

I need now

I need you

I need you now

Charmed, I’m sure

Do you ever remember bits and pieces of books, movies or poems?

Not enough to string together an effective google search

But enough to feel the faint outlines of an emotion

Maybe it was a book you had to read in 5th grade

Something you skimmed just enough to barely pass a quiz

But had changed you in some unknown, imperceptible way

A pall you carried from a long forgotten poem

Which still shades the world a color, a tint 

One you’ve so long gotten used to, that you don’t even see it anymore

Having lived so long in a home that was licked by fire, that you no longer smell the ash

A pall you refuse to part with, because you find comfort hiding beneath it

You hold onto these pieces, like charms that once hung from a now broken bracelet 

Charms that symbolize something, a connection no longer made

A handwritten letter that references or alludes to things you know nothing of

A letter meant for the person who lived there before you, with no return address 

If you knew the sender of the letters, the purchaser of the charms

Maybe you could divine meaning from them

Like dream interpretation, but foolishly forgetting that you are all the participants in your dream

You are that book, that film, that poem…those letters. Those charms. One day I’ll have you figured out. 

Cornhusk Doll

I’ve been thinking about childhood

Those fleeting puffs of foggy exhalation

Rising from a deer’s muzzle just before it darts

The what brought me heres

The what made me whats

The what I bought marred me where ats

Cheese grater logic

My childhood was not unusual

Don’t we always think this?

We could’ve been daddy’s little helper

Grabbing the shovel off the back of the truck

Listening to it scrape against the road

The smell of a bloated raccoon settling in our lungs

And on that lonely, country road

We defined the word normal

And perhaps, no not perhaps, but with certainty

We defined ourselves

It wasn’t until we made friends

Until we had sleepovers

Until they took us to their places of worship

That we learned the raccoons we carried in us were different

That some heard the tinkling of a shop keeper’s bell

Not a scraping shovel

And the tinkling brings the flavor of ice cream to mouth

While others heard the slick sound of leather

Gliding through belt loops

This brings a different, salty, coppery flavor to mouth

In books we learn that despite how different we appear

We are much more alike

We hug those broken characters

And in doing we hug ourselves

Happiness and joy have faces

Sadness and pain do not

One is photographed

The other is smothered beneath down pillows

Living your whole life allergic to feathers made you that unlikely to fly

So it’s in these exchanges

Sleepovers, books, comparing and contrasting

That we give face to our tenderness

Despite what mischievousness may come

Hold the gaze and be ready to embrace

Healing is necessary

Like a clean road, without death’s reminders, is necessary

Even if just in stretches

You can’t sustain the same facial expression forever

Except in death and in memory

And in photos

Don’t disassociate

Give it a face and a name

Anchor it in thought and emotion’s hue

Take ownership of the repercussions

Give it a face

[On one of my many trips to the reservation of my ancestors, my clean air fund, my gentle reminder that you can both be loved and feel just slightly out-of-place, as we half-breeds often become vaguely aware of, I was told not to draw a face on the cornhusk doll I was creating. It was a shared moment between me and my beautiful, Native-complete cousins, that suddenly, taking on a list due to course change or the water getting in, looked askew or askance. Don’t give it a face or it will get into mischief. You’ll find the doll in places you didn’t put it. This undoubtedly bothered me. The spookiness of it. Now, as I’m thinking of childhood, the elements of of it make me uneasy. Children. Faceless dolls. A clear warning against mischievousness. I suspect it’s settled into my middle aged frame. Trace minerals that either lend to stronger or weaker bones. I’d like to think I secreted a face on that cornhusk doll. As much for me as for you, both then and now]

A River Runs Through It

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I always declare on forms that I’m American Indian or Alaskan Native

Now I realize, better than others, that I’m only half Mohawk. Only.

I don’t know if I do this to increase my chances of getting hired or to warn

I know I don’t look like your stereotypical idea of what an “Indian” should look like

This white guy you see, who can hold a tan through winter, is accessible with his wavy hair

The collector of the forms gets the best of both worlds…white-looking and diversity

A straight of the Rez, long-haired, stoic, traditional Native told me I was an apple

I am a product of the government’s relocation policy. Get them off the Rez.

That’ll assimilate them

So I don’t speak Mohawk, just as my mother doesn’t, but my grandparents did

No ceremony to get a traditional name, like most of my cousins have

I’ve never been to a sweat-lodge

So his remark was meant to hurt me. There are layers. On the surface it stung

It stung because I thought we were friends. So why would he intentionally hurt me?

I knew I didn’t choose where I was borne…off the reservation. Not my fault

However, I was in my mid-twenties, so I could’ve regained what was never given to me. I could’ve returned home again

But remember…the camera might add weight, but the mirror doesn’t lie

Try to fit in

Next layer…I’m ecstatic that he thinks I even look Native, as being an apple implies

I always wished I looked more Native

He tells me a couple weeks later that the guy behind the counter at the campus gym was racist towards him

He called him, “Chief.”  He looked at him with disgust. Told him there are townie gyms he would be better off at and told him TO MAKE SURE he wiped his sweat off the machines

Did this make me feel better that I pass as Caucasian? That I somehow dodged a bullet?  No.

I was a rage filled apple. I wanted to cave this ignorant lunk’s head in with a dumbbell

I was his brother, even if he didn’t think so

You see, generational pain exists in your DNA, right down to your marrow

These sublimated rivers of tears, that hollow out the ground beneath us, thrum beneath our feet

Like elephants and house pets, we feel the earthquake coming days in advance

The caverns created beneath us are filled with the stalactites and stalagmites made of our ancestor’s calcium. They’re bones.

Every step is precarious if the ground is hollow beneath you. For native Americans all ground is hollowed and hallowed

I look at my son and wonder if I should raise him to check that box, or not

Only a quarter. Try to fit in. Only.

Step carefully my son.

 

I miss

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I miss the younger me

The weightless unencumbered me

The carefree and aimless me

I want to hide beneath the weeping willow

A nature-made fortress…of solitude 

Where, like Superman, I flew

Thin branches wound around my bone-thin forearms 

Leaping against the pull of gravity

A mind that didn’t carry sorrow 

Or guilt 

Or servitude to the almighty dollar 

A helium balloon in the clouds

Tethered to unslumped shoulders

How I soared 

I bent spoons with my mind

Slayed dragons with vorpal sticks

I worshipped the mother in this church 

Light shining through stained glass leaves 

Many moons later

Barely able to lift head from pillow

I’ve sidestepped into a different reality 

Where I no longer felt like I fit and I made sense

This alternate timeline

After 12 hours of contractions

I find myself sentenced

Now I’m a contraction at the end of a sentence 

It is what it’s 

No weight

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Give no weight to these words

They are the mumblings of a madman 

I scribbled them on the padded walls of my mind

Ink drawn from the heart’s-well with pointy nail clippings 

Instead, lay your faith in that first sip of morning’s coffee

In the peals of young children’s laughter 

In how your fingertips feel at home in the small of your lover’s back

Find your home with outstretched arms digging fingers in three knuckles deep

So a hurricane couldn’t shake you loose 

I’ll be tossed about by the whimsy of your smile and faded memories 

Smirk at my chaos if it makes you feel better 

Find truth in your realism and folly in my Impressionism 

You can Rockwell while I melt into Dali-ance

Find comfort in repetition 

Find comfort in repetition 

Find comfort in repetition 

I’ll ride the adrenaline roller coaster of fractal chaos

You’ll never really feel quite as alive 

As when you don’t know where your next meal is coming from

The food tastes better and your kisses sweeter 

When each time felt as though it could’ve been the last

But here we are

You in your well worn path

My mind a wandering nomad…a vagabond 

Things seem so much simpler to you

So give no weight…to these words

Fragments

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At the intersection

Of memory and dream

Of actual and fabricated 

I remember being very young

In my childhood home 

The wind whipping outside

The storm door slamming

The glass cracking 

Another moment I’m walking

Down the alleyway and slipping around 

I don’t know if I was told of the incident 

Before or after the memory’s birth

So at some level I doubt it’s authenticity 

My grandfather had beaten up my uncle 

Leaving blood on the ground

That my little feet lost traction in

I remember the old variety shows 

That inspired me to tap dance

In my grandpas work boots 

On the wood floor of the back hallway 

Or was that fashioned from stories?

I remember being on a car ride 

Going up north to the reservation 

The driver let go of the wheel

Enough play the wheel wobbled to and fro 

In my young mind it spun untethered 

My little world spinning with it

This blurring 

These dark waters

They take on the shape of their containers 

But are impossible to see through 

They are still a part of my sum

And they affect me in ways

Both that I’m aware and unaware of

But I am a survivor 

I build castles out of these sands

That so readily slip through my fingers

Unless wetted with tears of silent knowing

While I know some of these memories

Are fashioned to erode at my foundations 

There are others that give support

I’m sure there’s a long forgotten song

Whose lyrics have faded into pasts’ patina 

But the outlines of the sound wave 

Of the singer’s guttural scream

The lamentation that speaks of my sorrow 

That props me up

To take on another trying moment

Thank you Joplin, Holiday, Morissette

Thank you grandma, mother, aunts 

Thank you my lovely wife

Thank you for your songs

I stand another day because of you 

Embolism

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Homeostasis is the yin yang of energy exchange

          The lighter goes out and the needle sucks up the amber

Equilibrium is a parasol in the hand of a tightrope walker 

          Through a cotton ball filter

A random number generator built from the algorithm of ginger ale bubbles 

          He was either new, careless or greedy

Two imperceptible bubbles combine and wink into existence 

          Maybe all the above

The paper thin walls allow the oxygen to pass into capillaries 

          When he drove that spike into his hungry vein

He said he knew frogs breathed through their skin

          He forgot to tap the syringe and plunger out the air

Because they died from the gasoline before he could get the lighter lit

          Before the high had time to hit he watched a clear section slide up his arm

He remembered a science experiment with celery and red food coloring 

          Frantically he hammered on his arm with his other hand

The celery looked like it had blood running through arteries 

          Hoping to break up the large bubble into much smaller less lethal ones

All the talk of good intentions were folly in his eyes—be the change

          Brain spinning like a top thinking death was nigh

He was steeped in class struggle and was an activist through osmosis 

          Two imperceptible bubbles combine and wink into existence 

Stepping Stones

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These stepping stones that I jump to

Throughout the span of my life

Form an outline of a part of me

Balancing on one foot I look back

This set of stones is the story

Of me and women:

 

 

Her name was Patty

We met at the instruments closet

She told me I was her boyfriend

I obeyed and met her behind the curtain

Timing my days in kindergarten 

By these rendezvous 

 

 

I ran home from the neighbors’

My friend’s sister who was much older

French kissed me when I was like eight

I couldn’t wait to tell my mother 

 

 

At school a girl I did’t know

Who acted as though she knew me

Asked if I was drinking my chocolate milk 

I was going to, but I gladly handed it over

 

 

My first “girlfriend” 

I spent hours talking to her on the phone

I felt a connection

Then I told her about the changes

Of how my body was maturing

She broke it off

 

 

I went to a party

They played Spin the bottle 

A girl I liked spun the bottle to me

We went in the closet

The idea she might’ve actually wanted

To kiss me was so nonexistent 

That I thought I did her a favor

By making kissy noises through the door

So she wouldn’t have to

 

 

I sat out in the cold for hours

Scoring two tickets to Beastie Boys

I asked my crush if she’d like to go

I told her I’d score some weed

She agreed to go

After the concert she made up an excuse

Of why she needed to go

Taking the joint with her

Like a chocolate milk 

 

 

My first was with a girl who transferred 

Into our school to get away her reputation 

I later heard that she had taken on

The entire football team

I loved her enough to be so broken by her

When she dumped me for a guy with a car

That I blocked her name from memory

 

 

I made out with a girl

Who was really good at it

Her dad had taught her

After her mom had passed

I still wonder about how she finally

Made her escape

 

 

I had a one night stand with a girl

Who resembled the girl from the concert

That was all the reason I had needed

 

 

I was in a relationship with a woman

Who was old enough to be my mother

I was just happy to feel wanted

 

 

I married a woman who is strong

Who I’d gladly give my chocolate milk to

Who I’d meet behind the curtain with

Each and every day

Who loves reality tv, 

Is an extrovert, that drags me out…

Out of my head

Who doesn’t like public affection 

Who rarely likes private affection 

Who is very critical of me

But beneath all the hard exterior 

She loves me

She needs me

And I am happy

There are no stones to jump to from here

Darkroom

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Even with a zoom lens

You are one layer removed

From the subject matter

No longer a participant 

An observer 

No longer an ingredient

You are the glass 

It’s plated beneath

Your eye

Behind the viewfinder 

Profane and probing

A voyeur with a kinship

For the beauty of symmetry 

The rule of thirds

Conforms nature to mind’s grid

The moment falls into place

The finger depresses 

A piece of the divine 

The soul is pinned

A butterfly in a shadow box 

The amorphously ephemeral 

Anchored to synaptic syne haptic 

Lucid moments of clarity

Adrift on a fog covered sea