Commodity

What’s standing in my way?

Me

You practice saying croissant

While I practice saying thank you

And I’m sorry

When all I want to scream is…

I take compliments

As a toddler takes a booster shot

I follow conversations

The way a boxing commentator

Describes a 10 round flight

Finesse the points or swing for the fences

Or pretend to be good neighbors

As fences often are

We all say we want truth

But all we really want is OUR truth

When confronted with another’s truth

We swallow it whole

Hoping it doesn’t scratch on the way down

And that it doesn’t change the color

Of our shit

When it is done sustaining us

But remembering you

Never feels quite as important

As you remembering me

But remembering YOU

Never feels QUITE as important

As YOU remembering…me

But vampirism grants immortality

And ripples mimic wind currents

To the point we confuse words

With actions

Sometimes words are all we have…

Holding on

Unfulfilled dreams keep me marching on

The center is love, a heart, dangling before me

I am a donkey and it is the carrot

Only I have not aged as well as the dream

It’s keeps perfect time, pressing every step

Meanwhile my heart has cocooned itself for the long gulag trek

With years of self absorbed behaviors

Of buying into the “me”

Like a tree you could count the rings of fat surrounding my heart

To determine the age of my idiocy

This marching has given me strong calves and premature ventricular contractions

If only my dream was externally motivated

Something superficial

Swinging weights and drinking wheatgrass

Happiness measured in lean body mass

Fat is where the flavor is

A shark would spit out a fairly lean person

Perhaps muscle tastes like work

Fat tastes like leisure

A blubbery seal gives the shark an idea

Of what it must be like to stop swimming

I feel like I can’t stop swimming

I feel like Ice cream tastes a porch swing

What happens if I stopped swimming?

Like the shark I’d drown

Divining inspiration from dark waters

Making oxygen passing water across gills

But I’m a donkey chasing a carrot

I just don’t know if I have what it takes

The resolve

The skill

The talent

Am I enough for the dream

Is just having a dream enough for me

Is my heart cocooned for a reason?

Is it metamorphosing from yesterday

Into the heart of tomorrow

The one hanging from a string

My well worn heels synchronized

But will tomorrow ever arrive?

Or have I already drowned?

My march the simplest of actions

A living dead seeking the reminder

Of what warm, life’s blood still tastes like

Lean in

I’m so fucking happy

You’re not with me?

Here’s a joke to get you there

I’ll laugh the hardest

It makes it easier for you

But lean in

Listen hard

And watch my shifting eyes

I’ll laugh until I cry

I’m always envious

Of those who voice their pain

Who have no trouble bleeding

Each beat of heart

An arterial spray

But lean in

Listen hard

And watch hands limp at sides

This is just where they hide

I think—no…I know that if I start

I won’t stop until totally drained

Ready to be propped up

A formal way to hide

A much needed transfusion

Of formaldehyde

But lean in

Listen hard

Hands balled tight

I don’t even know how deep

The nails will go

I know there are limits

But is it a hardline?

Or does it shift by the moment?

Is it a mirage from heat off skin?

The glistening always moving away

With every step forward

But lean in

Listen hard

Capacity to reinvent identity

Means either all lies or nothing but truth

You can only describe the unknown

With commonplace words and terms

So I plumb this oubliette

With the span of your arms as rule

Because I could only ever trust mine

When I matched another’s tip to tip

But lean in

Listen hard

Because the mirrored fragments I steal

I give back with the only fingerprints

That truly promise identity

Lean in

Listen hard

Park Bench

Where’ve you gone?

The sun’s arc

Has traced my decline

Splintered thoughts

Paint worn reveals grain

Rusting wrought iron

The tears you shed

Long evaporated

Are now replaced

With frost’s steely touch

The part of me

That still holds chin high

Is patinated with jogger sweat

But the words stand testament

People still wondering to this day

What cornerstone of a community

What deeds did you do

To be immortalized on this bench

Looking out over this lake

But you were no luminary

You didn’t found any company

You were so much more than that

You were my father

You were my friend

And someday I’ll pass on

But it’ll still be you they think of

In moments of well needed rest

Grass brushing at ankles

Dragonflies darting to and fro

In loving memory

Institutionalization

Institutionalization is the couch indent

It’s feeling so at home in our thoughts

We miss our depression when in remission

The stability of groundhogs day

The stability of groundhogs day

The stability of groundhogs day

It’s why so many of us finally give in

Just as the right medication kicks in

It’s too much too fast

It’s questioning it all from the cocoon

Then finally getting our wings

Only to fly high enough to plummet

Don’t get me wrong there are bars

But the day comes when they change

They no longer hold us in

But keep the world out

It’s that movie where prisoners are freed

Walking out into the sun they are blinded

The light actually causes physical pain

It’s more than just getting used to

It’s more like getting dependent on

We desperately need a sense of control

In this chaotic world

Whether we find it in bed in a dark room

In the bottom bunk in a 6 by 8 cell

At a mindless, unappreciative job

We know exactly what to expect

There are very few variables

We are the water that Bruce Lee speaks of

Desperately looking for a dusty cup

That’s rarely removed from the shelf

Maybe it’s all shades of grey

The varying degrees of sadness

Before we step out

Into the blinding light

We should take the trip slowly

From the depths of the pitch sea bottom

In a kind of decompression chamber

That trickles the light in, in degrees

So by the time we breathe fresh air

We won’t recoil in pain from the sun

This birthing in dimly lit room in a hot tub

Life is harsh…take it easy on yourself

And ease into it

What can I say about Love?

What can I say about love

That hasn’t already been written

On the walls of gas station bathrooms?

Dispense with the regalities

Drop the pomp and window dressing

Love is nothing more than transactional

We trade time for promises of happiness

We give up pieces of ourselves

Hoping reciprocity makes us whole

All of this we do at great peril

There are no fucking guarantees

We diminish with every dance

We are decaying isotopes

You can calculate my age within seconds

Simply by measuring the holes in my heart

Love is just a painkiller

Heart holes grow larger

Euphoric you press ever onward

You’d think the dance would be aerobic

But there you’re farthest from the truth

Asphyxiating cells scream and die

Your lungs burn as if on fire

You claw at your throat

Hoping to taste youth’s freedoms

How far back do we need to go

To be before death stood at horizon?

When the time we could give was endless

It’s here where marrow no longer hums

Your body a tuning fork looking

For harmonic resonance in others

I know for certain that we die alone

This tragedy pervades everything we do

We hold hands just so there’s a letting go

But at least we don’t walk alone

The cadence of time marching

In lockstep with our decay

I know the gift of time is unrivaled

Except for the moments you are given

It’s not continuous but a string of tableaus

Those times you said you could die

Die in their arms, and you’d be happy

Or, when wishing a moment was infinite

These moments are the last to flicker out

The brain performing a fireworks finale

Fingers intertwined blazing in inky skies

Then denouement

And that is something

Perhaps everything

Somnambulant Explorer

I’m investing in Tesla to test out my toughness

I divested in diaries to skip out on dowries

I spun all the muster and fuss of the spinster

I’m a mister who missed her so I could ration my minutes

Fingers outstretched I fetched the gold band from an old hand that lingers

Searching for answers I’m lurching at dancers

This middle earth dearth was worth all this curse

I’m resigned to decline the divine if it means less time with my kind

I try to master my mind faster, a spell caster lost in time, a bastard

I’m just a sleepwalker, a mumbling talker, who dreams of being spoiled, you see, living off book royalties

Pulse

Cast shade upon me to give me greater depth than the tissue paper I feel I’ve become

Talk about the times when I hacked and slashed my way into the jungles of discourse

Remind me of how there is fun to be had in the mixing of mindsets and the study of emotional alchemy

I can feel myself waning so grab my hand and, if you must, teach me the sound of one hand clapping

Tether me with fishing line and barbed hooks to the things I hold closest to my heart

So, even when the vacuum comes, I’ll whip and dance like a kite in a storm but remain earthbound

When I’m pulled inward by the dance of the mind’s cinematography you must sing me the melody of dialogue

Place my hand to chest so I can feel the now of your tempo and strengthen the action over intention

Despite all of perception being funneled through the lens of mind we must move corporeally

Despite the mind triggering muscular contractions, it is more important to take journey’s first step than to just plan it

The neurotransmitter’s dance achieves potentialities that only have value in causality

The mindspark will bring about no fire without fuel or oxygen

So feed me in experiences and breathe warmth into these hollow bones

These self inflicted wounds will only heal if I think you want them to, like plants that grow healthier through conversation

Photosynthesis is the plant kingdom equivalent of synaptic transmission

But even we need the sunlight to keep our hallowed bones from crumbling

So walk me in your sunlit pastures and dig your nails into my flashy palms whenever you sense me drifting

I need now

I need you

I need you now

Charmed, I’m sure

Do you ever remember bits and pieces of books, movies or poems?

Not enough to string together an effective google search

But enough to feel the faint outlines of an emotion

Maybe it was a book you had to read in 5th grade

Something you skimmed just enough to barely pass a quiz

But had changed you in some unknown, imperceptible way

A pall you carried from a long forgotten poem

Which still shades the world a color, a tint 

One you’ve so long gotten used to, that you don’t even see it anymore

Having lived so long in a home that was licked by fire, that you no longer smell the ash

A pall you refuse to part with, because you find comfort hiding beneath it

You hold onto these pieces, like charms that once hung from a now broken bracelet 

Charms that symbolize something, a connection no longer made

A handwritten letter that references or alludes to things you know nothing of

A letter meant for the person who lived there before you, with no return address 

If you knew the sender of the letters, the purchaser of the charms

Maybe you could divine meaning from them

Like dream interpretation, but foolishly forgetting that you are all the participants in your dream

You are that book, that film, that poem…those letters. Those charms. One day I’ll have you figured out. 

Cornhusk Doll

I’ve been thinking about childhood

Those fleeting puffs of foggy exhalation

Rising from a deer’s muzzle just before it darts

The what brought me heres

The what made me whats

The what I bought marred me where ats

Cheese grater logic

My childhood was not unusual

Don’t we always think this?

We could’ve been daddy’s little helper

Grabbing the shovel off the back of the truck

Listening to it scrape against the road

The smell of a bloated raccoon settling in our lungs

And on that lonely, country road

We defined the word normal

And perhaps, no not perhaps, but with certainty

We defined ourselves

It wasn’t until we made friends

Until we had sleepovers

Until they took us to their places of worship

That we learned the raccoons we carried in us were different

That some heard the tinkling of a shop keeper’s bell

Not a scraping shovel

And the tinkling brings the flavor of ice cream to mouth

While others heard the slick sound of leather

Gliding through belt loops

This brings a different, salty, coppery flavor to mouth

In books we learn that despite how different we appear

We are much more alike

We hug those broken characters

And in doing we hug ourselves

Happiness and joy have faces

Sadness and pain do not

One is photographed

The other is smothered beneath down pillows

Living your whole life allergic to feathers made you that unlikely to fly

So it’s in these exchanges

Sleepovers, books, comparing and contrasting

That we give face to our tenderness

Despite what mischievousness may come

Hold the gaze and be ready to embrace

Healing is necessary

Like a clean road, without death’s reminders, is necessary

Even if just in stretches

You can’t sustain the same facial expression forever

Except in death and in memory

And in photos

Don’t disassociate

Give it a face and a name

Anchor it in thought and emotion’s hue

Take ownership of the repercussions

Give it a face

[On one of my many trips to the reservation of my ancestors, my clean air fund, my gentle reminder that you can both be loved and feel just slightly out-of-place, as we half-breeds often become vaguely aware of, I was told not to draw a face on the cornhusk doll I was creating. It was a shared moment between me and my beautiful, Native-complete cousins, that suddenly, taking on a list due to course change or the water getting in, looked askew or askance. Don’t give it a face or it will get into mischief. You’ll find the doll in places you didn’t put it. This undoubtedly bothered me. The spookiness of it. Now, as I’m thinking of childhood, the elements of of it make me uneasy. Children. Faceless dolls. A clear warning against mischievousness. I suspect it’s settled into my middle aged frame. Trace minerals that either lend to stronger or weaker bones. I’d like to think I secreted a face on that cornhusk doll. As much for me as for you, both then and now]